NAPOLI
The visual element of the blond, diaphanous, slender figure of the harpist, suggestively recalling Debussy’s Melisande, was providing aerial lightness to the filigree and to the arabesque fluids of the instrument. A masterpiece of precision, of elegance, of light shades of sound veils, of light fronts that dissolve the physic consistence of the instrument into vibrations of aerial purity
(Il Mattino, A. Parente)


SIENA
Fragmentations by Bussotti. Sitting in the middle, between the two instruments, Elena Zaniboni has been equally intense both in releasing “pure” sounds and in mixing them with the “corrupted” ones. The two moments build a unitary piece, extraordinarily rich of sound haloes that Mrs. Zaniboni – an enchanter swinging between angelic and demoniac – has brought to an outstanding success.
(L’Unità, E. Valente).


FIRENZE
Brilliant dynamic colour, lively incisiveness, reliable rhythm, expressive presence and confident stylistic adherence.
(La Nazione)


GENOVA
Admired for her technical wealth and her rare musicality, Elena Zaniboni is a virtuous of strong charachter, sensitive and open to any kind of performing experience.
(Il Giornale)

… a surprising range of effects…
(Il Secolo XIX, C. M. Rietmann)


L’AQUILA
Elena Zaniboni is today one of the very few harpists in the world who is capable of performing an entire harp concert
(Il Messaggero d’Abruzzo)
Mrs. Zaniboni has been the fascinating queen of this evening, and she really deserved it.
(L’Aquila Sette)